Re: Miking a fiddle

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Miking a fiddle on December 5, 2009 @ 10:54 pmReport this post as inappropriate#1
by anonymous  
I am a semi-professional bluegrass fiddler. I am looking for recommendations on a microphone that will reproduce a warm/full sound during live performances. I dont like the idea of needing phantom power or alot of gadgets. I just want a quality stick microphone that will give me a 6 to 12 inch sensitivity radius to eliminate any bleed over from adjacent instuments. Any info would be greatly appreciated.

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Re: Miking a fiddle on December 5, 2009 @ 11:31 pmReport this post as inappropriate#2
by Michael Heinzelmann Michael Heinzelmann is currently offline. Click to send a message.
On December 5, 2009 wrote:
I am a semi-professional bluegrass fiddler. I am looking for recommendations on a microphone that will reproduce a warm/full sound during live performances. I dont like the idea of needing phantom power or alot of gadgets. I just want a quality stick microphone that will give me a 6 to 12 inch sensitivity radius to eliminate any bleed over from adjacent instuments. Any info would be greatly appreciated.

Hi!
It's more than 10 years since I have done recording acoustic instruments, but reading your query one mic comes into my mind:
AKG 224 E it's a dynamic mic with condenser performance (treble) and quite robust, used for drums mainly, now it's 'vintage' but maybe you can find one ... I could lend you mine but me beeing in Germany I guess we art too far ...


Edited by Michael Heinzelmann on December 5, 2009 @ 11:41 pmReply to this message by quoting it
Re: Re: Miking a fiddle on December 6, 2009 @ 3:47 pmReport this post as inappropriate#3
by anonymous  
Micheal, Thank you for your input. I will certainly check out this mike for consideration. I'm sure eventually I will obtain a product that will give me what I am looking for, Gary.

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Re: Re: Miking a fiddle on December 6, 2009 @ 7:10 pmReport this post as inappropriate#4
by Laurel Thomsen Laurel Thomsen is currently offline. Click to send a message.
I'd consider skipping the mic and using a pickup. The fact that I hated having to stand still under a mic, but also didn't want to install a pickup on a violin I use equally in unamplified settings, led me to try "The Band" violin pickup from Headway. I've used it for amplification exclusively for almost three years, love it, and now have one for my viola. 

The Band easily straps around the lower bout of the instrument, sitting between the bridge and the tailpiece. Because it picks up the mature sound vibrations from the belly of the instrument rather than the limited vibrations found in the bridge, the Band gives a clear, warm, full sound, unlike many other pickups which sound tinny and one dimensional. It needs no pre-amplification, phamtom power, or additional gadgets. You can simply strap it on, plug it into any amp, PA system, or even computer, and play or record. 

The advantages I've found in a pickup over a mic are that, as I said before, you're free to move about the stage, there is no bleed over sound from other people/instruments, no wind noise if you're outside, it fits into your case, there is no boom stand to lug around, and there is no chance of it dropping and breaking! 

The Band for violin runs about $120 and totally worth it! Good luck!


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