Re: Re: Scientific training

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Scientific training on June 28, 2008 @ 5:03 amReport this post as inappropriate#1
by Santanu Bandyopadhyay Santanu Bandyopadhyay is currently offline. Click to send a message.

Vocal music cannot be improved with out the help of proper scientific training


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Re: Scientific training on June 28, 2008 @ 5:18 amReport this post as inappropriate#2
by Fabrizio Ferrari Fabrizio Ferrari is currently online. Click to send a message.  *ADMINISTRATOR*
Hi Santanu.

What do you mean with "scientific training"? I am just curious...

Best,
Fabrizio.


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Re: Scientific training on June 28, 2008 @ 10:40 amReport this post as inappropriate#3
by Andreas Andreas is currently offline. Click to send a message.
On June 28, 2008 Santanu Bandyopadhyay wrote:

Vocal music cannot be improved with out the help of proper scientific training

How you`re defining the word scientific training,reading notes and a proper breathing while you are singing a song? that  takes training, knowing your range abilities gives you the key to adapt and sing a song on your own key and so on....is that scientific enough for you? Andreas

Edited by Andreas on June 28, 2008 @ 10:43 amReply to this message by quoting it
Re: Re: Scientific training on June 29, 2008 @ 10:38 amReport this post as inappropriate#4
by Colin Price Colin Price is currently offline. Click to send a message.

Surely your comments on vocal music will apply to every musical instrument, not just the voice. Your phrase "scientific training" seems to involve learning technique, interpretation, and basically all the aspects of musical performance, without which one could not possibly perform successfully.

Whether the adjective "scientific" could or should be applied to an art form such as music is another discussion!!!!

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Re: Re: Scientific training on June 30, 2008 @ 3:34 pmReport this post as inappropriate#5
by Wendell Langley Baatjes Wendell Langley Baatjes is currently offline. Click to send a message.

Colin Price has it just about right. I do not think that the phrase "scientific" should be brought into music at all. It just complicates matters that is "in a musical sense" already quite simple. What I am suggesting is that if we talk about music then let's talk about music only. If I ask a question like; What is the scientific structure of a sonata form, would it make sense? I do not think so. Also...we cannot really seperate voices with musical instruments. They fall within the same musical structure and are written in the same manner.

Please correct me if I am wrong.

 

Keep on enjoying your music

WENDELL


Edited by Wendell Langley Baatjes on June 30, 2008 @ 3:42 pmReply to this message by quoting it
Re: Re: Re: Scientific training on June 30, 2008 @ 6:14 pmReport this post as inappropriate#6
by Fabrizio Ferrari Fabrizio Ferrari is currently online. Click to send a message.  *ADMINISTRATOR*
I agree with Wendell, it's something weird or, at least, interesting to discuss.  Could Santanu explain what he meant?

Thanks.

Fabrizio


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Re: Re: Re: Scientific training on June 30, 2008 @ 8:16 pmReport this post as inappropriate#7
by Andreas Andreas is currently offline. Click to send a message.
I born in Greece and I found out my language express different terms than English does . So he does have to explain himaself if he thinks so(remember he comes from India,and so he is (they are) very proud to their terminology). Maybe he would do us a favor this time and tell us, low creetures, what he meant,to enlighten us up,if he feels so. Andreas

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Re: Re: Re: Scientific training on October 9, 2008 @ 4:56 pmReport this post as inappropriate#8
by Alain Lefébure Alain Lefébure is currently offline. Click to send a message.
One aspect of the topic has been neglected: Scientific training can understood as training based on physiologywith two implications.
-The first is a medical prevention of pathogies such a tendonitis
-the second is technical ;for example the position of wrist can improve velocity of finger to the prejudice of precision and the other way round.
Artistical expression require freedom of the body (no pain) and solid technique ..the loop is looped.
Liszt piano techniqueis an example physiological use of upper limb which give musical elasticyt and enhanced sonority preventing tiredness and physical disorders as well.




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