Description:littering passages and webs of figurations which distract from occasional absence of tonality; Frequent use of parallel chords which are "in essence not harmonies at all, but rather 'chordal melodies', enriched unisons"; some writers describe these as non-functional harmonies; Bitonality, or at least bitonal chords; Use of the whole-tone and pentatonic scale; Unprepared modulations, "without any harmonic bridge.
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